Dancing, identity, and social justice
Aminah Hopewell ’26, a senior studying dance and Black studies, has shaped her education around a powerful goal: blending art and activism.
Aminah, from Atlanta, Georgia, has been drawn to the stage since childhood and has danced everything from modern, contemporary, and hip-hop to West African, jazz, and tap. Growing up in creative spaces deeply shaped her identity, as did growing up in communities that actively and openly discussed race and the Black identity.
At Թ, Aminah has found ways to connect her artistic talent with her passion for social justice — exploring issues of race, gender, and sexuality through the arts.
“I want to use dance as an educational process for social justice education,” she says.

Her Black studies capstone project did just that.
In a class with Black Studies Professor Winston Grady-Willis, Aminah created “Mother of Light,” a video essay that drew upon both her dance major and her faith to explore femininity, sexuality, and independence. “I wanted to focus on different women’s experiences and what I’ve experienced as a black queer woman in a predominantly white space,” she says.
“Mother of Light” is a retelling of Adam and Eve, with Aminah portraying Eve. She narrates the story of a woman struggling to break free from the confines of her existence. Her Christian faith plays a pivotal role in the story, which aims to talk about women’s bodies freely and beyond the constraints of traditional religious ideas. “My project is a break away from that. It’s okay to be a Christian and talk about bodies without putting hinderance on them,” she explains.
Dancing in a flowing white dress, Aminah confronts and challenges societal pressures on women’s autonomy and sexual freedom, asking the striking question: “What is a woman now but mere touch?
"Mother of Light" by Aminah Hopewell '26
During the creative process, Aminah spoke with many different women to understand the diverse experiences of Black womanhood. This included the women in her family, Black female identifying friends, and nonbinary friends.
“The intersectionality of identity was my focus,” she explains. “I found it to be such a beautiful thing that the Black woman identity was still so strong among people who do not conform to specific gender norms.”
Beyond this project, Aminah credits her Afro-Caribbean dance course and the guidance of Assistant Professor of Dance Kieron Dwayne Sargeant for inspiring her to learn more about the diaspora and diverse identities within Black communities. She also highlights Black Feminist Thought, a course taught by Assistant Professor and Director of Gender Studies Tammy Owens in the Black Studies program. “It was groundbreaking for me. It opened my eyes to see how women are really at the forefront of every social movement.”
Aminah also strongly suggests that students consider taking Introduction to Black Studies, the foundational course in the Black studies minor, regardless of their major.
In every Black studies course I’ve taken, on the first day we ask what values we’ll uphold in the classroom so everyone feels they have a space to talk and is comfortable expressing their thoughts.”Aminah Hopewell '26
In addition, Aminah is a fellow in the program, which offers guidance and opportunities for emerging artists and arts administrators and supports broad participation in the arts. Managed by Թ’s , the fellowship is a three-year program during students’ junior and senior years, with one year of post-graduate advising.
As Aminah finishes her last year at Թ, she hopes to continue working in spaces that creatively educate people about social issues, encouraging them to see that identity and the world are deeply intertwined. “The world doesn’t define your identity, but rather, you define your identity in the world.”